The Surfer's Journal
THE SURFER'S JOURNAL 33.5
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MAGAZINE
More book than magazine. A reader-supported surf publication founded in 1992, The Surfer’s Journal is a vivid, authoritative, and independent document that delivers purist surf energy in each bimonthly edition.
Issue 33.5 features:
On the Cover: J Riddle, on location in El Salvador, earning stunt rates via period-correct positioning and equipage during the filming of John Milius’ Big Wednesday. For more on the writer/director’s filmography and impact on wider pop culture, read “Child of the Bomb” on page 70. Photograph by Merkel/Lost & Found.
In this issue, we also open a South Oz shooter’s catalog, dive for bluewater gold in the California Bight, glean wisdom from a revered surfing elder, conduct recon in the Eastern Mediterranean, and more. For the full 140-page experience, pick up a copy of TSJ 33.5.
ESSAY: RELIGIOUS NONE
Soul surfing, from the Hawaiian kahunas to Ram Dass.
INTERVIEW: BY THE HORNS
Joey Cabell on his impromptu bull fight, speed sailing, skiing, the power of commitment, and shaping and riding the White Ghost.
THE LAST URCHIN DIVER
Surfer and bottom-scratcher Conner Rhoads is one of the youngest holdouts in a shrinking old-world trade. Join him for a dive through the tides of change.
KANGAROOS, SNOW LEOPARDS & STEEL-CUT LINES
Wayne Lynch to Kelly Slater. Bells to the backcountry. Seventies soul trim to aughts slabs. Aussie photographer Steve Ryan full-frames Victoria.
DRIP DRY
Artist Dan McCarthy and the lightness of process.
CHILD OF THE BOMB
Screenwriter and director John Milius’ Cold War–era films captivated and confounded audiences, infuriated critics, and were defined by his brilliant dialogue, his violent worldview, and his fascination with loners, lost worlds, and long pointbreaks.
PORTFOLIO: ISAAC ZOLLER
Stills and movement from Laguna Beach and wider Pacific environs.
SEARCHING FOR ARCADIA
Kepa Acero and photographer Marc Durà trace a path of antiquity through Lebanon, Tunisia, and Egypt, where the wind, the swell, the landscape, and the bodies politic can flip on a dime.
UNDERCURRENTS
Laura Enever at Shipstern Bluff, remembering writer Bryan di Salvatore, the Baja Sur experience, various ephemera from John Milius’ filmography, and more.
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